sixty-one
years
a-writing
a week that lasts for years

man writing ct

Comments on previous courses

Stella Whitelaw: 'Writing short stories that sell'

"Inspirational"

"Excellent. Well organized and packed with useful information"

"Loved all the courses, especially Stella's"

"Brilliant!"

"The best course leader I have ever been to."

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previous courses

Louise Jordan:

'Writing for children's publishers'
"Excellent, knew her stuff, up-to-date info, warm and encouraging"

"Well structured, informative and up to the minute.
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previous courses

Peter Lyons:
'"All the world's a stage"

"I appreciated the Drama course - Peter Lyons is always helpful."

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previous courses

Kenneth Steven: 'Catching dragons - writing, crafting and publishing poetry'

"I thoroughly enjoyed Kenneth's course"

"Excellent"

"Loved Kenneth Steven's poetry evening - more please!"

"Very good indeed"

"Outstanding as a poet and course leader. His input was worth the cost of the week alone!"

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previous courses

Roy Devereux: 'Make money from magazines'

"Excellent, Roy put a great deal of work into his course and has inspired me to succeed"

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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2009 courses

Adaptation for film and television here
Autobiography here
Copywriting for writers here
Crime
here
The Dramatist's Way here
Non fiction
here
Poetry
here
Presentation
here
Scifi, horror
here
Short Stories
here
Short story to novel
here
Writing for younger children
here

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Gwyneth Box
Poetry - the art of patterning

Gwyneth Box Poetry makes use of patterns; rhythmic devices and rhyme schemes; repetition and variation, mirroring and echoing of sounds and ideas; organization and arrangement of structure and layout. All these techniques combine to create a landscape for the reader to visit and explore.
Whether you're an experienced poet hoping for a new approach to familiar terrain, a beginner looking for waymarkers at the early stages of the journey, or a reader just setting out along the path, this course is designed to help you better understand and enjoy the world of modern poetry.


Gwyneth first came to Swanwick as winner of the Writers' News/Swanwick Poetry competition, 2007. Her work has won a number of awards and has appeared in anthologies and magazines. Gwyneth has lived in Spain for the past 20 years. Her interest in translation led her to explore the techniques of English poetry with a view to understanding how each element contributes to the overall effect.

more courses here
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Della GaltonDella Galton
Short story to Novel
make the transition easily

The aim of this course is to help writers who are struggling to make the transition from short fiction to longer fiction. The four sessions will look at how you do that.

We will cover :
1. First page and beyond. Pace and making a scene of it.
2. Settings and plot
3. Characters, viewpoint and dialogue,
4. Marketing, agents, publishers, the covering letter and synopsis.
This is an interactive course with workshops.
Come along, learn, be inspired and have fun along the way.

Della sold more than a thousand short stories to magazines and has had two novels published. Her first non fiction book, How to Write and Sell Short Stories, was scheduled for publication in October 2008 by Accent Press.

more courses here
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John Jarrold
Scifi, Horror
course details to be confirmed

John Jarrold
As an editor and editorial director specializing in SF and Fantasy with Macdonald Futura, Random House and Simon & Schuster, he published the bestselling novelists: Iain Banks, Terry Brooks, Robert Jordan, Arthur C Clarke and Michael Moorcock, amongst others.

more courses here
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John Lamont

Unaccustomed as I am ...

john LamontJohn has had a varied background in the worlds of research, engineering, management and body therapy, among a few other things. He writes a bit, but his first love is speaking. He gets plenty of opportunity to do this, both in his role as lecturer and when delivering motivational presentations. He thoroughly enjoys after dinner speaking too, but doesn’t count this as real work because of all the good feeding and watering involved.

Speaking in public can be the way to sell your books, add to your income, entertain the troops and impress your friends. This practical course gives you the skills and confidence to do just that.
Gerald Ford said: ‘Nothing is more important in life than the ability to communicate effectively.’
As writers we know this is true and that’s what this course is all about - developing effective communication skills in public speaking.
It will cover essential techniques on how to build our own and the audience’s confidence, plan and organise the speech and then look at how we can deliver a powerful, entertaining performance – anytime, every time!.
Oh…. and there will be plenty of opportunity for interaction, participation and a bit of fun.

more courses here
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Mal Leicester
Writing for younger children

This course follows last year's workshop focused on writing for children and getting published. We will explore four aspects more deeply, allowing time for questions, exercises and discussion:

Age groupings and levels, genre: ethical Issues
Plots, themes, style, character and dialogue
Getting published. Markets, unique selling points, writing for education/schools
Self publishing. Sharing my own experience and exploring individual plans/work in progress

Mal LeicesterMal is Emeritus Professor in Education at the University of Nottingham. She has published numerous academic books and papers in philosophy and education and eight collections of children's stories with Routledge and Jessica Kingsley.
Her Special Stories featuring disabled children was shortlisted for the TES/Nasson Teaching and Learning Award.
With her partner she has set up her own small publishing press (Inky Fingers) and has published the first four in a series of children's books based on vintage cars. These have received excellent reviews and are selling well.

more courses here
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Peter Lyons

The Dramatist's Way
becoming a playwright

The course will consist of 4 interlinked participative workshops. Peter Lyons
But, each workshop will also stand alone. During the course we will learn how to see the world as dramatists, work up storylines, find ways and means of adapting existing stories into dramatic material, and look at nuts and bolts such as dialogue and characterisation. The aim being to equip participants with the tools for playmaking in every way. All that’s required is pen, paper, an open mind, and a sense of fun.


Peter Lyons has had five plays performed professionally, in varied venues ranging from Cheltenham to Stornoway, open streets in gale force winds to studio theatres with a maximum audience of 50. However the nearest he’s got to the West End is Fulham. He recently judged the Scottish Association of Writers One Act Play competition.

more courses here
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Sharon Mail

Non-fiction

The course will look at non-fiction writing in its various forms.
It will cover the importance and joy of editing your work and what to include or leave out; what you as an individual can write about; feature writing including preparing for and carrying out interviews; markets.
Active participation will be rewarded with a large smile of appreciation.

Sharon MailSharon has been a journalist since January 2006 and spent more than two years working full-time for a weekly community newspaper.
She now works freelance and has completed a non-fiction book which she is in the process of placing with a publisher. She first attended Swanwick in 2005. Sharon has been a member of Strathkelvin Writers in Glasgow for many years and has run workshops and given talks.
She was the winner of the
school's Diamond Anniversary Jill Dick Memorial Competition.

more courses here
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Jean Saunders

Magazine short stories

Jean SaundersCome to learn, and come to enjoy. The Short Story course will be part lecture, part audience participation, part fun. Think of it as an introduction for those wanting to write magazine short stories for the first time, and a refresher course for old hands. The course will include:
Finding ideas
Constructing your story
Sharp beginnings and satisfactory endings
Putting in the style; conflict and pace
Bringing characters to life and realistic dialogue
Where to send it when you’ve written it!
Competitions

Jean Saunders is the prolific author of more than 100 novels under various pen-names, including Rowena Summers and Rachel Moore. She has had more than 600 short stories published, many articles, and six How-To books for writers. She lectures widely in Britain and on cruise ships. She was Chairman of the Romantic Novelists’ Association for two years, and has been involved with Swanwick since 1973, including being Vice Chairman, committee member, main speaker twice, course leader on various occasions, and sometime revue and panto warbler.

more courses here
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Benjamin Scott
Copywriting for writers

Sell not Tell!
If you've ever struggled to write about yourself or your work, then this is the ideal workshop for you. With an ever increasing number of ways to communicate to potential readers (as well as publishers and agents), it becomes crucial for all writers to be able to express themselves clearly and effectively. Most fiction writers will know the phrase "show not tell": in this workshop we will explore how to "sell not tell"; how to write to promote ourselves and to become our own copywriter.

Ben ScottBenjamin has worked in advertising as an account manager and as a copywriter.
He is co-author of Turn Your Degree into a Career (How to Books) and editor of a short story anthology Undercurrents (Gatehouse Press).
He is a regional co-ordinator of the Society of Children’s Book Writers and Illustrators (SCBWI) and reviews regularly for Carousel Magazine.

more courses here
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Ruth Symes
Adaptation for radio, TV and film

Ruth SymesIf you can write you can adapt. Anything can be adapted. The course will consist of talks and handouts on adaptation as well as practical exercises. The exercises will include:
• Turning prose into script
• Adapting familiar fairy stories and fables.
• How to stick to the story as written and how to adapt a story into a totally new work by changing the point of view, setting, character or time period.

is course might just give you the inspiration and the tools to adapt your own
When C4’s Richard & Judy needed a writing coach to appear on the show Ruth was the perfect choice. Lively and fun, an experienced teacher, a published author of numerous books, as well as being a TV scriptwriter, Ruth has personal experience of adapting her own work and that of others for screen, stage and radio.

more courses here
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Jonathan Taylor
Autobiography

Jonathan TaylorJonathan Taylor is the author of the memoir, "Take Me Home: Parkinson's, My Father, Myself," published by Granta Books in 2007. He is Senior Lecturer in Creative Writing at De Montfort University. His stories, reviews and articles have been published in Guardian Family, Guardian Education, Times Higher, Times Literary Supplement, Granta, Stand, Staple, Coffee House and many others. Jonathan is co-founder and co-director of arts organisation Crystal Clear Creators.

"Many things that I would not care to tell any individual man I tell to the public" (Montaigne).

This course will explore the strange and paradoxical world of memoir-writing. It will confront some of the central challenges which face the memoir-writer, such as how to imbue real-life experiences with meaning, how to engage a reader with those experiences, and how to find significance in apparently 'trivial' memories. The course will take moments and memories - some trivial, some life-changing - as raw material, and restructure them in different ways into shaped prose.

more courses here
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Stella Whitelaw

The Classic Private Eye

Crime is the fastest selling genre on the market now.
Create a private eye who is invisible, magnetic, dynamic and entertaining. Forget the stereotype PI in a raincoat and dark glasses.
Readers need new detectives who will capture their imagination.

These four lectures will explore new characters, new settings, new twists and surprising close encounters. We will comb Swanwick for clues, invent red herrings, but no murders in the conservatory please.

Stella WhitelawSTELLA WHITELAW has been a writer since the age of nine, first as a London newspaper reporter, then as an author.
Hooked on writing, Stella has more than 42 books published, including 11 crime. More than 275 short stories published.
Overseas sales uncounted.

A day is not complete without writing ... a writer’s second sight makes living a joy.

more courses here
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===========================
Swanwick 2009 August 08 to August 14
email swanwick here

pen in hand
For comment on 2008 courses see here

Courses are offered in four parts of an hour.
Two blocks of courses are offered, one at the beginning of the week, the other from mid-week on. Members chose a course from each block.
Advance booking of a particular course is not necessary. No prior knowledge of the subject matter is required to enjoy the courses.

booking form
here

booking notes
here


accommodation notes here

printable flyer
here

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Comments on previous courses

John Lamont: 'Reaching our goals in life and writing'

"Outstanding"

"Excellent"

"Extremely helpful - even life enhancing"

"Exceptional"

" John has inspired me to succeed"

"Inspiring and motivational"

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previous courses

Steve Whetton: "Scriptwriting for TV"

"Excellent, so enthusiastic and motivating"

"Very interesting and helpful"

"A witty and interesting teacher"

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previous courses
Ann Palmer:
'Sensibility and censor'

"Absolutely invaluable. Ann's course last year (my first Topwrite year) inspired me and has been a huge help"

"Ann Palmer is always excellent"

"Challenging and creative - very helpful with focus and development"

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previous courses

Catherine King: 'Tackle that novel'

"A different perspective, making you think in other directions. Excellent!"

"I especially enjoyed Catherine King who gave innovative (to me!) insight into the craft of novel writing"

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previous courses
Della Galton
:
'Writing fiction - how to get started'

"Excellent, very encouraging"

"From good, very good to excellent - Della for example"

"Very good, clear and concise"

"Very good indeed, provided a useful and transferable tool for all writers"

 

 

 

 

 

 

 

 

 

 

 

 

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Private eye

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edited by Brendan Nolan.